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scena polowania psy atakujace sarne joseph anton harzath Bruges Pierre‑Eugène Montzin wpisuje się w Pierre‑Eugène Montzin wpisuje się w ciągłość francuskich pejzażystów XIX wieku subtelnie gra kontrastami: odcieniami ziemistymi Technika realistyczna i dbałość o szczegóły odtwarzają hałaśliwą i błotnistą atmosferę skoncentrowana na dziku i biegających psach
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